Zora Young – Go Ahead And Take Him
Zora Young (born January 21, 1948, West Point, Mississippi, United States) is an American blues singer. She is a distant relative of Howlin’ Wolf.
Young’s family moved to Chicago at age seven and sang gospel at the Greater Harvest Baptist Church.As an adult she began singing blues and R&B music, and over the course of her career played with Junior Wells, Jimmy Dawkins, Bobby Rush, Buddy Guy, Albert King, Professor Eddie Lusk, and B. B. King. Among those she has collaborated with on record are Willie Dixon, Sunnyland Slim, Mississippi Heat, Paul DeLay, and Maurice John Vaughan.
In 1982, she toured Europe on the bill with Bonnie Lee and Big Time Sarah in ‘Blues with the Girls’, and then recorded an album in Paris, France. She was later cast in the role of Bessie Smith in the stage show, The Heart of the Blues. By 1991 she had recorded the album, Travelin’ Light, with the Canadian guitar player, Colin Linden.
Young has toured Europe more than thirty times, in addition to appearances in Turkey and Taiwan. She was the featured performer at the Chicago Blues Festival six times.
In 2014, she was nominated for a Blues Music Award in the ‘Koko Taylor Award (Traditional Blues Female)’ category.
Blues is a musical form and genre that originated in African-American communities in the “Deep South” of the United States around the end of the 19th century. The genre is derived from European folk music, spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern and specific chord progressions, of which the twelve-bar blues is the most common. The blue notes are also an important part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect called a groove.
Blues as a genre possesses other characteristics such as lyrics, bass lines, and instruments. The lyrics of early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the so-called AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating troubles experienced within African American society.
Many blues elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. The first appearance of the blues is often dated to after emancipation and, later, the development of juke joints. It is associated with the newly acquired freedom of the enslaved people. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and sub-genres. Blues sub-genres include country blues, such as Delta and Piedmont, as well as urban blues styles such as Chicago and West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock evolved.
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