Roy Buchanan – CC Rider

Roy Buchanan – CC Rider

Roy Buchanan – CC Rider


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Roy Buchanan (September 23, 1939 – August 14, 1988) was an American guitarist and blues musician. A pioneer of the Telecaster sound, Buchanan worked as both a sideman and solo artist, with two gold albums early in his career,and two later solo albums that made it on to the Billboard chart. Despite never having achieved stardom, he is still considered a highly influential guitar player. Guitar Player praised him as having one of the “50 Greatest Tones of all Time.”

Recording career and death

In 1961 he released ‘Mule Train Stomp’, his first single for Swan, featuring rich guitar tones years ahead of their time. Buchanan’s 1962 recording with drummer Bobby Gregg, nicknamed “Potato Peeler,” first introduced the trademark Buchanan “pinch” harmonic. An effort to cash in on the British Invasion caught Buchanan with the British Walkers. In the mid-’60s, Buchanan settled down in the Washington, D.C., area, playing for Danny Denver’s band for many years while acquiring a reputation as “…one of the very finest rock guitarists around. Jimi Hendrix would not take up the challenge of a ‘pick-off’ with Roy.” The facts behind that claim are that in March 1968 a photographer friend, John Gossage gave Buchanan tickets to a concert by the Jimi Hendrix Experience at the Washington Hilton. “Buchanan was dismayed to find his own trademark sounds, like the wah-wah that he’d painstakingly produced with his hands and his Telecaster, created by electronic pedals. He could never attempt Hendrix’s stage show, and this realization refocused him on his own quintessentially American roots-style guitar picking.”

Gossage recalls how Roy was very impressed by the Hendrix 1967 debut album Are You Experienced?, which was why he made sure to give Roy a ticket to the early show at the Hilton. Gossage went backstage to take photos and tried to convince Jimi to go and see Roy at the Silver Dollar that night after the show, but Jimi seemed more interested in hanging out with the young lady who was backstage with him. Gossage confirms Hendrix never showed up at the Silver Dollar, but he did talk to Roy about seeing the Hilton show. That same night (as the Hilton show) Roy did several Hendrix numbers and “from that point on, had nothing but good things to say about Hendrix”. He later released recordings of the Hendrix composition “If 6 Was 9” and the Hendrix hit “Hey Joe” (written by Billy Roberts).

Buchanan’s life changed in 1971, when he gained national notice as the result of an hour-long PBS television documentary. Entitled Introducing Roy Buchanan, and sometimes mistakenly called The Best Unknown Guitarist in the World, it earned a record deal with Polydor Records and praise from John Lennon and Merle Haggard, besides an alleged invitation to join the Rolling Stones (which he turned down and which gave him the nickname “the man who tumbled the stones down”). He recorded five albums for Polydor, one of which, Second Album, went gold, and after that another three for Atlantic Records, one of which, 1977’s Loading Zone, also went gold. Buchanan quit recording in 1981, vowing never to enter a studio again unless he could record his own music his own way. Four years later, Alligator Records coaxed Buchanan back into the studio. His first album for Alligator, When a Guitar Plays the Blues, was released in the spring of 1985. It was the first time he had total artistic freedom in the studio. His second Alligator LP, Dancing on the Edge (with vocals on three tracks by Delbert McClinton), was released in the fall of 1986. He released the twelfth and last album of his career, Hot Wires, in 1987.

According to his agent and others, Buchanan was doing well, having gained control of his drinking habit and playing again, when he was arrested for public intoxication after a domestic dispute. He was found hanged from his own shirt in a jail cell on August 14, 1988 in the Fairfax County, Virginia, Jail. According to Jerry Hentman, who was in a cell nearby Buchanan’s, the Deputy Sheriff opened the door early in the morning and found Buchanan with the shirt around his neck. Buchanan’s last show was on August 7, 1988 in Guilford, CT. His cause of death was officially recorded as suicide, a finding disputed by Buchanan’s friends and family. One of his friends, Marc Fisher, reported seeing Roy’s body with bruises on the head.

After his death, compilation and other albums continue to be released, including in 2004 the never-released first album he recorded for Polydor, The Prophet.

Guitars, tone, and technique


Buchanan used a number of guitars in his career, although he was most often associated with a 1953 Fender Telecaster, serial number 2324, nicknamed “Nancy.” There are two very different stories explaining how Buchanan got the guitar. He himself said that, while enrolled in 1969 in a school to learn to be a hairdresser, he ran after a guy walking down the street with that guitar, and bought him a purple Telecaster to trade. A friend of Buchanan’s, however, said that Buchanan was playing a Gibson Les Paul at the time, and traded it for the ’53 Tele. One of Buchanan’s Telecasters was later owned by Danny Gatton and Mike Stern, who lost it in a robbery.


Buchanan achieved his sound through minimum means. He played the Telecaster through a Fender Vibrolux amplifier with the volume and tone “full out,” and used the guitar’s volume and tone controls to control volume and sound (he achieved a wah wah effect using the tone control). To achieve his desired distorted sounds, Buchanan at one point used a razor blade to slit the paper cones of the speakers in his amp, an approach also employed by the Kinks’ Dave Davies; additionally, he was even reputed to have poured water over the tubes in his amplifiers.Buchanan rarely used effects pedals, though he started using an Echoplex on A Street Called Straight (1976),. In his later career he played with a Boss DD-2 delay.


Buchanan taught himself various playing techniques, including “chicken picking”. He sometimes used his thumb nail rather than a plectrum, and also employed it to augment his index finger and pick. Holding the pick between his thumb and forefinger, Buchanan also plucked the string and simultaneously touched it lightly with the lower edge of his thumb at one of the harmonic nodes, thus suppressing lower overtones and emphasising the harmonic, sometimes referred to as pinch harmonics, though Buchanan called it an “overtone.” Buchanan could play harmonics at will, and could mute individual strings with free right-hand fingers while picking or pinching others. He was famous as well for his oblique bends.

Having first played lap steel guitar, Buchanan often imitated its effect and bent strings to the required pitch, rather than starting on the desired note. This was particularly notable in his approach to using double and triple stops.


Buchanan has influenced many guitarists, including Gary Moore, Danny Gatton, and Jeff Beck; Beck dedicated his version of “Cause We’ve Ended As Lovers” from Blow by Blow to him.His work is said to “stretch the limits of the electric guitar,” and he is praised for “his subtlety of tone and the breadth of his knowledge, from the blackest of blues to moaning R&B and clean, concise, bone-deep rock ‘n’ roll.” In 2004, Guitar Player listed his version of “Sweet Dreams,” from his debut album on Polydor, Roy Buchanan, as having one of the “50 Greatest Tones of All Time.” In the same year, the readers of Guitar Player voted Buchanan #46 in a top 50 readers’ poll. Roy is the subject of Freddy Blohm’s song “King of a Small Room.”

Roy Buchanan is interred at Columbia Gardens Cemetery in Arlington, Virginia.


Studio albums

Buch and the Snakestretchers, 1971, BIOYA (homemade and self-produced)
Roy Buchanan, 1972, Polydor
Second Album, 1973, Polydor
That’s What I Am Here For, 1974, Polydor
[Rescue Me]”,1974, Polydor
In the Beginning (UK title: Rescue Me), 1974, Polydor
A Street Called Straight, 1976, Atlantic
Loading Zone, 1977, Atlantic
You’re Not Alone, 1978, Atlantic
My Babe, 1981, AJK
When a Guitar Plays the Blues, 1985, Alligator
Dancing on the Edge, 1986, Alligator
Hot Wires, 1987, Alligator

Live albums

Live Stock, 1975, Polydor
Live in Japan – 1977, 1978, Polydor MPF 1105
Live – Charly Blues Legend vol. 9 85–87, 1987, Charly Schallplatten GMBH, CBL 758* (Bootleg)

Posthumous and compilation albums

The Best of Roy Buchanan, 1982, Polydor
Early Years, 1989, Krazy Kat
Live in U.S.A. & Holland 77–85, 1991, Silver Shadow CD 9104
Sweet Dreams: The Anthology, 1992, Polydor
Guitar on Fire: The Atlantic Sessions, 1993, Rhino
Malaguena, 1997, Annecillo
Charly Blues Masterworks: Roy Buchanan Live, 1999, RedX entertainment
The world’s greatest unknown guitarist, 2000, Blues Factory
Deluxe Edition: Roy Buchanan, 2001, Alligator
20th Century Masters: The Millennium Collection: Best Of Roy Buchanan, 2002, Polydor
American Axe: Live In 1974, 2003, Powerhouse Records
The Prophet – The Unreleased First Polydor Album, 2004, Hip-O Select/Polydor
Live, 2006, Charly Records
The Definitive Collection, 2006, Polydor
Rhino Hi-Five: Roy Buchanan, 2007, Rhino Atlantic
Live: Amazing Grace, 2009, Powerhouse
Live At Rockpalast, 2011, MIG Music
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